Kahan Shuru Kahan Khatam marks the debut feature of Dhvani Bhanushali, showcasing her alongside Aashim Gulati and a commendable supporting cast that includes Rajesh Sharma, Rakesh Bedi, and Supriya Pilgaonkar. Directed by Saurabh Dasgupta, the film attempts to present an accidental love story, though its execution ultimately leaves much to be desired.
Aashim Gulati takes on the role of Krishna, affectionately known as Krish, a wedding crasher with a penchant for chaos. His father, played by Rakesh Bedi, is a pandit who unwittingly sets the stage for Krish’s antics. During one of his escapades, he crashes a wedding that is not only extravagant but also populated by unsavory characters, including a notorious goon. It is at this chaotic gathering that Krish crosses paths with Meera, portrayed by Dhvani Bhanushali. Unbeknownst to him, Meera is in the midst of escaping a wedding arranged by her father, who fails to consult her wishes. Their encounter sparks an unexpected adventure filled with mishaps.
The film’s narrative centers around the journey of Meera and Krishna as they navigate their precarious situation. Krish’s family, caught up in the unfolding drama, provides Meera with a safe haven, leading to a series of humorous and chaotic scenarios. While the film is infused with gunfire and action, it aims primarily for comedy, relying heavily on the supporting cast to deliver laughs. Performers like Rakesh Bedi, Rajesh Sharma, and Supriya Pilgaonkar bring a certain charm to their roles, contributing to the lighter moments in the film.
However, the first half of Kahan Shuru Kahan Khatam is undeniably a slog. The pacing is slow, and many of the jokes land flat, failing to generate genuine laughter. The screenplay stretches on, leaving the audience eager for some engaging content. It is only in the second half that the film begins to gather some momentum, introducing a few amusing situations. Yet, even with this slight improvement, the film struggles to rise above mediocrity. The material feels tired and overused, offering little that feels fresh or innovative, while the execution lacks the flair necessary to captivate viewers.
Overall, Kahan Shuru Kahan Khatam does not offer a particularly rewarding viewing experience. However, given the involvement of newcomers, one can appreciate their earnest efforts, albeit with limited success. Those in search of light-hearted comedy might find it worth a look, but it’s best reserved for a streaming service when it becomes available, rather than a trip to the theater.
The film attempts to convey a message about gender equality, but this effort comes across as forced and lacking credibility. The themes presented feel underdeveloped, and the film fails to provide the necessary nuance to make its arguments convincing. It seems as if the filmmakers decided to include a social message as an afterthought, which ultimately detracts from the overall narrative. Moreover, the portrayal of LGBTQI characters lacks sensitivity, further complicating the film’s stance on inclusivity and equality.
One of the few redeeming qualities of Kahan Shuru Kahan Khatam is its music, which stands out as above average. A couple of original songs are catchy and provide a welcome diversion from the otherwise tedious plot. However, much of the music borrows from the classics of yesteryear, leaving one to wonder if more originality could have enhanced the film’s appeal. While the premise has potential for humour, it falls short due to weak dialogues and a lack of stylistic execution that could have made the film distinctive.
In conclusion, Kahan Shuru Kahan Khatam is a disappointing cinematic endeavor. Film Comments rates it 2 out of 5 stars, characterizing it as an utterly mediocre effort that is easily forgettable. The film serves as a reminder that even with a promising cast and concept, execution is key to crafting a compelling story.
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